Giovanni Battista TIEPOLO (Venice 1696 - Madrid 1770)

Study of a Draped Figure Sold

Red chalk.
Inscribed J. B. Tiepolo on the verso, laid down.
242 x 163 mm. (9 1/2 x 6 3/8 in.)



This is a fine example of a type of drapery study that Giambattista Tiepolo produced throughout his career, sometimes as studies for figures in his paintings but also simply as exercises, or to provide a repertory of models for future projects, or for his sons and assistants to use. Although it has not been possible to relate this drawing definitively to any work by the artist, similar draped figures are found in a handful of paintings dating from throughout his long career, such as an oil sketch of The Madonna of the Rosary of c.1727-1729 in the Courtauld Gallery in London, and both a modello and a finished altarpiece painting of The Immaculate Conception of c.1767-1769; the former in the Courtauld Gallery and the latter in the Prado in Madrid.

In the early part of his career, Giambattista Tiepolo drew in chalk on white paper, but from the early 1740s onwards adopted blue paper for his studies in black or red chalk. As such, the vast majority of extant drawings in red chalk by the artist are on blue paper. However, in his catalogue raisonné of the chalk drawings of the Tiepolos, published in 1980, George Knox noted that Giambattista occasionally used white paper for his chalk drawings in his later years, mainly during his time in Würzburg between 1751 and 1753, and again later in Madrid, where he worked from 1762 until his death in 1770.

A stylistically and compositionally analogous study of drapery by Giambattista, drawn in red and white chalk on blue paper, is found on the verso of a drawing in the Beurdeley Album now in the Hermitage in St. Petersburg, both sides of which are preliminary studies for a large altarpiece of The Adoration of the Magi, painted for the Benedictine abbey church at Münsterschwarzach in 1753 and today in the Alte Pinakothek in Munich. Another comparable drawing by Giambattista is a drapery study of a standing man, drawn in red and white chalk on white paper, which is part of the mass of Tiepolo drawings from the Bossi-Beyerlen collection in the Staatsgalerie in Stuttgart. A number of similar studies of drapery are also to be found in several pages in the large sketchbook known as the Quaderno Gatteri, today in the collection of the Museo Correr in Venice. Numbering eighty-seven pages of blue paper, the Gatteri sketchbook contains drawings in both black and red chalk, and seems to have been used by both Giambattista and Domenico Tiepolo between 1749 and 1752.

This drawing is thought to have been part of the large collection of drawings by Giambattista Tiepolo, many dating from his late Spanish period, assembled by the 18th century collector Armand-François-Louis de Mestral de Saint-Saphorin (1738-1805). Born in Switzerland but naturalized as a Danish citizen in 1776, he served as Danish ambassador to Poland, Spain, the Netherlands, Russia and Austria. He is known to have been in Madrid in 1774, and seems to have bought around a hundred drawings – both pen and ink drawings and chalk studies - directly from the Tiepolo studio in Madrid, or possibly in Venice. As such, his was one of the earliest and most significant collections of Tiepolo drawings outside Italy. De Mestral de Saint-Saphorin’s collection eventually passed by descent to the Swiss physician Édouard de Cérenville (1843-1915) and thence to his son, René de Cérenville (1875-1968), of Lausanne. At his death in 1968, René de Cérenville left part of his collection to the Musée Jenisch in Vevey, but many others were dispersed on the art market in Switzerland.

Possibly Armand-François-Louis de Mestral de Saint-Saphorin, Vienna
Possibly by descent to Madeleine and Marguerite de Mestral, Saint-Saphorin-sur-Morges, Switzerland
Possibly Édouard de Cérenville, Lausanne
Possibly by descent to René de Cérenville, Lausanne
Walter Hugelshofer, Zurich
Private collection, Chicago
Anonymous sale, New York, Sotheby’s, 16 January 1986, lot 174.

Giovanni Battista TIEPOLO

Study of a Draped Figure


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