Victor-Jean NICOLLE (Paris 1754 - Paris 1826)
The Palazzo Barberini, Rome Sold
Pen and brown ink, with framing lines in brown ink. Inscribed Veduta dell Palazzo Barberini à Rome. in the lower margin. 89 x 112 mm. (3 1/2 x 4 3/8 in.) [sheet]59 x 89 mm. (2 1/4 x 3 1/2 in.) [image]ENQUIRE
Like many French artists of his day, Victor-Jean Nicolle was captivated by the sights and buildings of Rome. However, he surpassed most of his contemporaries in devoting much of his long career to watercolour views of the Eternal City. His initial artistic training in Paris was as a student at the Ecole royale gratuite de dessin, where in 1771 he won the grand prix de perspective, and later entered the studio of the architect Louis Charles Petit-Radel. Judging by the dates on some of his drawings, Nicolle spent long periods in Italy between 1787 and 1798, and again between 1806 and 1811. His charming, picturesque drawings of Rome, while full of anecdotal detail, were also topographically accurate. They are, as such, important historical records of the appearance of the city in the late 18th and early 19th centuries. Nicolle would make drawings sur le motif in pen and ink, which he would then finish with watercolour in his studio. Although best known for his Roman views, Nicolle also produced drawings of other cities in Italy (including Bologna, Venice, Verona, Naples and Florence), while in France he made numerous studies of Paris and its environs. Although he never exhibited at the Salons, his reputation as a topographical artist was such that in 1810 he received a commission from Napoleon for fifty watercolour views of the principal monuments of Paris, intended as a wedding present for the Empress Marie-Louise and now at Malmaison. Other significant groups of drawings by Nicolle are today in the Louvre, the Musée Carnavalet and the Bibliothèque Nationale in Paris, as well as the museums of Rouen and Lille.