Design for a Stage Set: The Interior and Courtyard of a Palace
Laid down on an old mount.
Inscribed and dated Galli(?) / 1760 at the lower right.
204 x 241 mm. (8 x 9 1/2 in.)
The present sheet is a design for a stage set, an undertaking for which the Bibiena were perhaps most highly regarded. Only a very few of the family’s works as theatrical designers or decorators survive today, since most of their creations were ephemeral by nature. Nevertheless, the variety, magnificence and splendour of the Bibiena dynasty’s stage designs can readily be admired from such elaborate drawings as this.
Ferdinando Galli Bibiena began his artistic training in Bologna under three different masters with their own unique specializations—Carlo Cignani for painting, Giulio Troili for architecture and Giacomo Torelli for scene design. It was through the recommendation of Cignani that Ferdinando began working for the Farnese dukes in Parma. In 1708 he was called to Barcelona to aid with the decorations for the wedding festivities of Prince Charles III, the future Holy Roman Emperor. Thus began the long working relationship of the Bibiena family with the Hapsburg dynasty at the Austrian court. In 1712, Ferdinando took his two sons, Alessandro (1687-1769) and Giuseppe (1696-1757), with him to Vienna, where they joined his brother Francesco, who had spent eight years working as an architect and stage designer at the Austrian court of Leopold I, and later served as president of the Accademia Clementina in Bologna. Ferdinando ended his career in Bologna and Mantua, and also published a number of treatises, notably Varie opera di prospettiva (Various Works of Perspective), which appeared between 1703 and 1708.
Arguably the most successful and distinguished member of the Bibiena dynasty was Ferdinando’s second son, Giuseppe Galli Bibiena. He accompanied his father to both Barcelona and Vienna, and after Ferdinando’s return to Bologna in 1717, stayed on in Vienna and became the chief architect and designer of court festivities and functions for the Emperor Charles VI. Giuseppe also worked as a scenographer in Linz, Graz and Prague, and ended his career at the Prussian court of Frederick the Great in Berlin. Alessandro Galli Bibiena worked mainly as an architect at the court the Elector of the Palatinate in Mannheim. Giuseppe and Alessandro’s younger brother Antonio (1700-1774) and nephew Giovanni Carlo Galli Bibiena (1717-1760) were also active as architects and designers; the former in Vienna, Mantua and Bologna and the latter in Bologna and Lisbon. The final member of the dynasty, Carlo Galli Bibiena (1728-1787), the son of Giuseppe, was active in Germany, Austria, France, Holland, Italy, England, Sweden and Russia.
Thence by descent.