a. Study of the Artist’s Left Hand; b. Study of the Artist’s Right Hand

Theodore Auguste RIBOT (St. Nicolas d'Attez, 1823 - Colombes, 1891)

Biography



A leading member of the Realist movement in France, Théodule-Augustin Ribot seems to have had relatively little formal training, although he worked briefly as an assistant to the painter Auguste-Barthelémy Glaize. He began his career as an artisan and gilder, but by the late 1850’s had begun to paint still life and kitchen subjects, usually working at night by candlelight. He first exhibited at the Salon in 1861, showing small-scale kitchen scenes and still life subjects that display the particular influence of the work of François Bonvin. His paintings were soon acquired by collectors, and he achieved a measure of success, winning medals at the Salons of 1864 and 1865 and again in 1878. Ribot was one of the founders of the Salon du Champ de Mars, along with Henri Fantin-Latour, James McNeill Whistler and Alphonse Legros, and was also a member of the Société des Aquafortistes. Much of his oeuvre is made up of humble genre scenes and depictions of the working classes of Paris, often using members of his family as models, and inspired by the example of Bonvin and such earlier artists as Jean-Baptiste-Siméon Chardin and the Dutch and Spanish genre painters of the 17th century. Much admired by his fellow artists, Ribot was presented in 1884 with a medal by a group of his friends (including Fantin-Latour, Claude Monet, Jules Bastien-Lepage and Jean-François Raffaelli) which was inscribed simply ‘A Théodule Ribot, le peintre indépendant’.