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Stephen Ongpin Fine Art counts among its clients private collectors in the UK, America and Europe, as well as a number of museums. Drawings have been acquired from SOFA by, among other institutions, the Museum of Fine Arts in Boston, the Art Institute of Chicago, the Cleveland Museum of Art, the Musée des Beaux-Arts in Dijon, the National Gallery of Scotland in Edinburgh, the Museum of Fine Arts in Houston, the J. Paul Getty Museum in Los Angeles, the Yale University Art Gallery in New Haven, the Pierpont Morgan Library in New York, the National Gallery of Canada in Ottawa, the Ashmolean Museum in Oxford, the Princeton University Art Museum in Princeton, NJ, the Musée des Beaux-Arts in Rouen, the Crocker Art Museum in Sacramento, the Art Gallery of Ontario in Toronto, the National Gallery of Art in Washington, DC and the Kunstsammlungen zu Weimar in Weimar. A selection of drawings that have been sold by SOFA is shown below.
FRANCESCO ALLEGRINI Gubbio 1624-c.1680 Rome Six Drawings of Various Subjects Each drawing in pen and brown ink, and all laid down onto one mount. Five sheets numbered in pen and ink at the lower right. Various sizes. Overall mount size 314 x 229 mm. (12 3/8 x 9 in.)
IPPOLITO ANDREASI
Mantua 1548-1608 Mantua
Two Putti Flanking the Gonzaga Coat of Arms
Pen and brown ink and brown wash, heightened with white, over traces of an underdrawing in black chalk. Squared for transfer in black chalk. Inscribed FIDES at the upper centre, below the crown.
133 x 168 mm. (5 1/4 x 6 5/8 in.)
JENNIFER BARTLETT Born 1941 In the Garden, No.12 Conte crayon on paper. 495 x 660 mm. (19 1/2 x 26 in.)
JEAN-MICHEL BASQUIAT Brooklyn 1960-1988 New York Untitled Wax crayon on paper. 317 x 444 mm. (12 1/2 x 17 1/2 in.)
GERRIT BATTEM Rotterdam 1636?-1684 Rotterdam A Mountainous River Landscape with Boats Being Unloaded, with a Church and Village in the Distance Watercolour and gouache on vellum. Signed Battem at the lower left centre. 243 x 367 mm. (9 5/8 x 14 1/2 in.)
JEAN-ACHILLE BENOUVILLE Paris 1815-1891 Paris Sunset Seen from a Rocky Coastline Watercolour, with pen and brown ink and touches of white gouache, on blue-grey paper. Faintly dated 1842 in pencil at the lower right. Stamped with both versions of the Bénouville atelier stamp. 201 x 289 mm. (7 7/8 x 11 3/8 in.)
PANCRACE BESSA Paris 1772-1846 Ecouen Mauve Crysanthemum and a Red Lychnis Chalcedonica Oil and gouache on blue(?) paper, laid down. Irregularly trimmed at the left edge. 313 x 337 mm. (12 1/4 x 13 1/4 in.) at greatest dimensions.
PANCRACE BESSA Paris 1772-1846 Ecouen Study of a Thistle Oil and gouache on two joined sheets of paper. Made up areas along the bottom edge. 587 x 444 mm. (23 1/8 x 17 1/2 in.)
GIUSEPPE BERNARDINO BISON Palmanova 1762-1844 Milan A Capriccio Landscape With Classical Buildings Pen and brown ink, with brown, green and grey washes, over a black chalk underdrawing. Signed Bison in brown ink at the lower right. 127 x 154 mm. (5 x 6 in.) ACQUIRED BY THE CROCKER ART MUSEUM, SACRAMENTO, CA.
GIOVANNI BOLDINI Ferrara 1842-1931 Paris The Porte Saint-Denis, Paris Pencil on ruled paper; a page from a notebook. 189 x 145 mm. (7 3/8 x 5 3/4 in.)
ROSA BONHEUR Bordeaux 1822-1899 Thomery A Grove of Trees Watercolour, heightened with gum arabic. Inscribed hauteur / Pion in pencil at the lower left. Stamped with the Rosa Bonheur vente stamp (Lugt 274) at the lower right. 227 x 291 mm. (9 x 11 1/2 in.)
RECENTLY ACQUIRED BY THE ART GALLERY OF ONTARIO, TORONTO.
ANDREA BOSCOLI Florence c.1560-1608 Florence Saint Sebastian, after Rosso Fiorentino Black and red chalk. 420 x 170 mm. (16 1/2 x 10 5/8 in.)
EUGÈNE BOUDIN Honfleur 1824-1898 Deauville A Study of Sea and Sky Pastel on blue paper, laid down. Stamped with the atelier stamp E.B. (Lugt 828) at the lower right. 149 x 220 mm. (5 7/8 x 8 5/8 in.)
SIR EDWARD COLEY BURNE-JONES Birmingham 1833-1898 London The Angel of the Annunciation Gouache, extensively heightened with white, on cream paper washed blue. 584 x 288 mm. (23 x 11 3/8 in.)
ACQUIRED BY THE NATIONAL GALLERY OF CANADA, OTTAWA.
SIR EDWARD COLEY BURNE-JONES Birmingham 1833-1898 London The Head of a Young Woman Pencil. Signed and dated EBJ 1874 at the lower right. 288 x 212 mm. (11 1/4 x 8 3/8 in.) RECENTLY ACQUIRED BY THE FUNDACIÓN MAPFRE, MADRID.
ALEXANDRE CALAME Vevey 1810-1864 Menton View of Bordighera Black chalk, brush and gray wash, heightened with white gouache, on dark blue paper. Inscribed and dated Bordighera 27.7.58 in pencil and numbered 26 in black ink at the lower right. 149 x 215 mm. (5 7/8 x 8 1/2 in.)
WILLIAM CALLOW, R.W.S. Greenwich 1812–1908 Great Missenden The Temple of Vesta and the Falls at Tivoli Watercolour, heightened with touches of bodycolour. Signed and dated William Callow / 1859 at the lower left. 748 x 577 mm. (29 3/8 x 22 3/4 in.)
RECENTLY ACQUIRED BY THE CLEVELAND MUSEUM OF ART, CLEVELAND, OH.
GIUSEPPE CASCIARO Ortelle 1863-1941 Naples Coastal Landscape Pastel on pale grey paper. Signed G Casciaro in pencil at the lower right. 270 x 408 mm. (10 5/8 x 16 1/8 in.)
JACOPO CONFORTINI Florence 1602-1672 Florence A Standing Cavalier, Seen From Behind Red chalk. 204 x 147 mm. (8 x 5 3/4 in.) ACQUIRED BY THE CROCKER ART MUSEUM, SACRAMENTO, CA. HENRI EDMOND CROSS Douai 1856-1910 Saint-Clair A Tree Watercolour, over traces of an underdrawing in pencil. Signed with initials HE.C in pencil at the lower left. 223 x 157 mm. (8 3/4 x 6 1/8 in.)
GIOVANNI DAVID Cabella Ligure 1749-1790 Genoa A Vestal Virgin Reclining by a Holy Flame Brush and brown ink, with brown and grey wash, heightened with white, red, green and grey gouache, over an underdrawing in black chalk. 442 x 294 mm. (17 3/8 x 11 5/8 in.)
RECENTLY ACQUIRED BY THE MUSEUM OF FINE ARTS, BOSTON, MA.
MARTEN DE VOS Antwerp 1532-1603 Antwerp The Death of Lucretia Pen and brown ink and brown wash, with touches of white heightening. The outlines partially indented for transfer. Inscribed Mart de Vos / fec. on the verso. 133 x 110 mm. (5 1/4 x 4 3/8 in.)
EDGAR DEGAS Paris 1834-1917 Paris A Standing Dancer, Her Hands Behind her Back Pastel and charcoal on faded blue paper. Stamped with the Degas vente stamp (Lugt 658) in red at the lower right. 476 x 395 mm. (18 3/4 x 15 1/2 in.)
EDGAR DEGAS Paris 1834-1917 Paris Dancer (Préparation en dedans) Charcoal, with stumping, on buff paper. Inscribed by the artist Préparation en dedans / fausse position at the upper right. Stamped with the Degas vente stamp in red at the lower left. 336 x 227 mm. (13 1/4 x 8 7/8 in.)
EDGAR DEGAS Paris 1834-1917 Paris Landscape With a Path Leading to a Copse of Trees Pastel over a monotype in oils on paper, laid down on board. Signed and dedicated à M. Charpentier / Degas at the lower right. 271 x 358 mm. (10 5/8 x 14 in.) [sheet]
ACQUIRED BY EUGENE V. AND CLARE THAW AS A PROMISED GIFT TO THE MORGAN LIBRARY AND MUSEUM, NEW YORK.
FERDINAND-VICTOR-EUGÈNE DELACROIX Charenton-Saint-Maurice 1798-1863 Paris A Bugler on Horseback, Accompanied by a Hound Pencil, grey and brown wash, with watercolour and gouache. 208 x 255 mm. (8 1/8 x 10 in.)
FERDINAND-VICTOR-EUGÈNE DELACROIX Charenton-Saint-Maurice 1798-1863 Paris
A View of a Riverbank
Watercolour over an underdrawing in pencil. Inscribed champrosay in pencil on the verso. 213 x 329 mm. (8 3/8 x 13 in.)
ANDRÉ DERAIN
Chatou 1880-1954 Garches
Recto: Costume Designs for a Musketeer and a Woman
Verso: Still Life With a Plate of Fish on a Table
Pen and brown ink and brown wash on light brown paper. The verso in pencil.
270 x 417 mm. (10 5/8 x 16 3/8 in.)
JEAN-BAPTISTE DESHAYS Colleville 1729-1765 Paris Joseph and Potiphar’s Wife Pen and brown ink and brown wash, extensively heightened with white. Signed and dated Deshays. 1762. at the lower right. 166 x 240 mm. (6 1/2 x 9 1/2 in.)
ALBERT DUBOIS-PILLET Saint Lô 1846-1890 Paris The Banks of the Marne at Dawn Watercolour. Signed duBois Pillet in watercolour at the lower right. 158 x 221 mm. (6 1/4 x 8 3/4 in.)
ACQUIRED BY THE J. PAUL GETTY MUSEUM, LOS ANGELES, CA.
ANTOINE-JEAN DUCLOS Paris 1742-1795 Paris Figures Seated at a Table in an Interior Pen and black ink and grey wash, with framing lines in black ink. Signed and dated A.J. Duclos inv. et del. 1770 in the lower left margin. 175 x 101 mm. (6 7/8 x 4 in.)
RAOUL DUFY Le Havre 1877-1953 Forcalquier The Bay of Sainte-Adresse Pencil on white paper. 500 x 654 mm. (9 5/8 x 25 3/4 in.)
TRISTRAM JAMES ELLIS Great Malvern 1844-1922 Barnes (London) Epping Forest Pencil and watercolour, with touches of bodycolour, heightened with gum arabic. Signed with the artist’s monogram TJE at the lower left. 339 x 482 mm. (13 3/8 x 19 in.)
SIR JACOB EPSTEIN New York 1880-1959 A Reclining Female Nude Watercolour over an underdrawing in pencil. Signed Epstein in pencil at the lower right. 583 x 448 mm. (23 x 17 5/8 in.)
FERRAÙ FENZONI Faenza 1562-1645 Faenza A Cavalry Battle Pen and brown ink and brown wash. 265 x 404 mm. (10 3/8 x 15 7/8 in.)
FRENCH SCHOOL 18th Century An Emerald Tree Boa Gouache on fine vellum, over traces of black chalk, within a gold border. 273 x 408 mm. (10 3/4 x 16 in.) [sheet]
FRANCESCO FONTEBASSO Venice 1707-1769 Venice
A Pagan Sacrifice Pen and two shades of brown ink, over an underdrawing in black chalk, on two joined sheets of paper, laid down. 498 x 718 mm. (19 5/8 x 28 1/4 in.)
LUCIAN FREUD, O.M. Born 1922 Reclining Woman Charcoal on paper. 508 x 470 mm. (20 x 18 5/8 in.) VINCENZO GEMITO Naples 1852-1929 Naples A Child on a Rocking Chair Pencil and watercolour, heightened with white gouache, on buff paper. Signed and dated V. GEMITO / 1910 at the lower left. 204 x 270 mm. (8 x 10 5/8 in.)
FRANÇOIS-PASCAL-SIMON, BARON GÉRARD Rome 1770-1837 Paris The Head of Venus Black chalk, with stumping and touches of white chalk, on pale grey paper. 215 x 170 mm. (8 1/2 x 6 3/4 in.)
THÉODORE GÉRICAULT Rouen 1791-1824 Paris A Sleeping Dog Pen and grey ink, grey and yellow wash, over an underdrawing in black chalk. 101 x 160 mm. (4 x 6 1/4 in.)
THÉODORE GÉRICAULT Rouen 1791-1824 Paris Scene from the Race of the Barberi Horses Pen and brown ink and brown wash, over an extensive underdrawing in black chalk. 353 x 484 mm. (13 7/8 x 19 in.)
ACQUIRED BY THE ART GALLERY OF ONTARIO, TORONTO.
FRANÇOIS-MARIUS GRANET Aix-en-Provence 1775-1849 Malvallat Monks on the Staircase of the Villa of Maecenas at Tivoli Pen and brown ink and brown wash, with touches of watercolour. Signed Granet. and inscribed villa mécène / 15=2/40. in the lower margin. 193 x 157 mm. (7 5/8 x 6 1/4 in.)
ACQUIRED BY THE ART INSTITUTE OF CHICAGO, CHICAGO, IL.
GIOVANNI FRANCESCO BARBIERI, called GUERCINO Cento 1591-1666 Bologna
Saint Christopher and the Christ Child
Red chalk, with framing lines in red chalk. 285 x 260 mm. (11 1/4 x 10 1/4 in.)
BARON PIERRE-NARCISSE GUÉRIN Paris 1774-1833 Rome Portrait of a Mother and Child Black chalk, heightened with white chalk, on brown paper. 239 x 163 mm. (9 3/8 x 6 3/8 in.)
ACQUIRED BY THE SNITE MUSEUM OF ART, UNIVERSITY OF NOTRE DAME, INDIANA.
HENRI-JOSEPH HARPIGNIES Valenciennes 1819-1916 Saint-Privé Landscape with Trees Watercolour. Signed and dated h harpignies 89 at the lower left. 135 x 214 mm. (5 1/4 x 8 3/8 in.)
LOUIS WELDEN HAWKINS Esslingen 1849-1910 Paris Masque Black chalk and pencil on light brown paper, laid down. Signed with a monogram LWH in a circle and L.W. HAWKINS at the bottom. 432 x 239 mm. (17 x 9 3/8 in.) ACQUIRED BY THE MUSEUM OF FINE ARTS, HOUSTON, TX.
DAVID HOCKNEY, R.A. Born 1937 Dettifoss from the Other Side Watercolour on four sheets of paper. Signed and dated D.H. ’02 in pencil at the lower left. 915 x 1216 mm. (36 x 47 7/8 in.) overall dimensions
DAVID HOCKNEY, R.A. Born 1937 Portrait of Michael Horovitz Red and blue-green ink. Inscribed by the artist, signed and dated Micheal [sic] Horovitz / Drawn by David Hockney / on June 22nd 1978. in red ink, and in 17 Powis Terrace, / W.11. in blue-green ink at the lower left. 355 x 433 mm. (14 x 17 in.)
DAVID HOCKNEY, R.A. Born 1937 Portrait of Shinro Ohtake Pencil and coloured chalks on white paper. Signed with initials and inscribed Shinro DH in pencil at the lower right. 235 x 265 mm. (9 1/4 x 10 3/8 in.)
LOUIS-GABRIEL-EUGÈNE ISABEY Paris 1803-1886 Montévrain A Ship in a Storm Black and red chalk, with pen and brown ink and scratching-out. Signed and dated Isabey 1829 in scratching-out at the lower right. 196 x 268 mm. (7 3/4 x 10 1/2 in.)
RECENTLY ACQUIRED BY THE VEREIN DER FREUNDE DER KUNSTSAMMLUNGEN ZU WEIMAR, WEIMAR. Attributed to DAVID JORIS Ghent c.1501-1556 Basel The Raising of Lazarus Pen and brown and grey ink, with grey and red wash and touches of white heightening. Inscribed holbenis at the lower centre. Signed or inscribed davit iores gelaessrijuer in brown ink on the verso. 219 mm. (8 5/8 in.) diameter.
ACQUIRED BY THE YALE UNIVERSITY ART GALLERY, NEW HAVEN, CT.
ACHILLE LAUGÉ Arzens 1861-1944 Cailhau The Port of Collioure Pastel on paper, in two parts, each laid down on two separate canvases. One signed and dated Laugé 1928 at the lower right. Each canvas: 382 x 550 mm. (15 x 21 5/8 in.) Overall: 382 x 1121 mm. (15 x 44 1/8 in.)
EDWARD LEAR Holloway 1812-1888 San Remo A View from Fort St. George at Mahe, Kerala, India Pencil and watercolour, heightened with white. Signed with the artist’s monogram at the lower left and inscribed Mahee at the lower right. 168 x 261 mm. (6 5/8 x 10 1/4 in.)
FRANÇOIS LEMOYNE
Paris 1688-1737 Paris
Study of a Female Nude, With Two Separate Studies of a Leg Black and red chalk, with touches of white heightening, on blue paper. 391 x 231 mm. (15 3/8 x 9 1/8 in.)
HENRI-LÉOPOLD LÉVY Nancy 1840-1904 Paris A Nun in PrayerBlack chalk, heightened with touches of white chalk, on blue-green paper. Squared for transfer in black chalk.
421 x 211 mm. (16 5/8 x 8 1/4 in.)
ACQUIRED BY THE MUSÉE DES BEAUX-ARTS, DIJON.
L. S. LOWRY Manchester 1887-1976 Glossop A Group of Five Figures Watercolour on buff paper. Signed and dated L. S Lowry 1952. at the lower right. 127 x 177 mm. (5 x 7 in.)
MAXIMILIEN LUCE Paris 1858-1941 Paris Landscape with Trees Oil on stamped Arches paper, laid down on canvas. Signed Luce in pencil at the lower left. 273 x 370 mm. (10 3/4 x 14 5/8 in.)
ALESSANDRO MAGANZA Vicenza 1556-c.1630 Vicenza Two Allegorical Figures (Bacchus and Ariadne?) Pen and brown ink and brown wash, over an underdrawing in black chalk. 209 x 112 mm. (8 1/4 x 4 3/8 in.)
DOMENICO FEDELI, called MAGGIOTTO Venice 1712-1794 Venice A Bearded Man Holding an Apple Black chalk, heightened with touches of white chalk, on grey paper faded to brown. 390 x 313 mm. (15 3/8 x 12 3/8 in.)
CARLO MARATTA Camerano 1625-1713 Rome Head of a Young Woman Looking Up to the Right, with a Subsidiary Study of her Left Arm Red chalk, heightened with touches of white chalk, on blue paper. 387 x 280 mm. (15 1/4 x 11 in.)
ALFRED-EMILE MÉRY Paris 1824-1896 Paris Landscape with Cherry Trees and Swallows Gouache and coloured chalks on blue-green paper. Signed and dated ÆMERY. 1870 at the lower right. 321 x 506 mm. (12 5/8 x 19 7/8 in.)
JOHN MINTON Great Shelford 1917-1957 London Portrait of a Seated Youth (Eric Verrico) Pencil on white paper. 460 x 292 mm. (18 1/8 x 11 1/2 in.) [sheet]
PIER FRANCESCO MOLA
Coldrerio 1612-1666 Rome Landscape With the Flight Into Egypt Pen and brown ink and brown wash, with touches of white heightening, over an underdrawing in red chalk. 266 x 197 mm. (10 1/2 x 7 3/4 in.)
BEN NICHOLSON Denham 1894-1982 London December 1957 (for Jeanne Coppel) Pencil on card, irregularly trimmed. Signed, dated and dedicated for Jeanne Coppel / Ben Nicholson Dec 57 on the verso. 175 x 254 mm. (6 7/8 x 10 in.) at greatest dimensions
BEN NICHOLSON Denham 1894-1982 London March 1959 (white form) Gouache, watercolour, pencil, and pen and ink on card, mounted on the artist’s prepared etched grey board. Signed and dated NICHOLSON / March 59 and inscribed (white form) on the reverse of the prepared board. 277 x 272 mm. (10 7/8 x 10 3/4 in.) at greatest dimensions [sheet]
EMIL NOLDE Nolde 1867-1956 Seebüll Seascape Watercolour on paper. Signed Nolde. in black ink at the lower right. 343 x 480 mm. (13 1/2 x 18 7/8 in.)
NORTH ITALIAN SCHOOL 16th Century Four Studies of Venetian Galleys Pen and brown ink, on light brown paper, laid down. 277 x 401 mm. (10 7/8 x 15 3/4 in.)
GIROLAMO FRANCESCO MARIA MAZZOLA, called PARMIGIANINO
Parma 1503-1540 Casalmaggiore A Sheet of Studies of Four Heads of Bearded Men and Three Studies of Pendant Jewels Pen and grey ink and grey wash, with touches of red chalk. 127 x 86 mm. (5 x 3 3/8 in.)
DOMENICO CRESTI, called IL PASSIGNANO Passignano 1559-1638 Florence The Head of a Youth Red chalk.
282 x 200 mm. (11 1/8 x 7 7/8 in.)
ACQUIRED BY THE MUSEUM OF FINE ARTS, HOUSTON, TX.
HIPPOLYTE PETITJEAN Mâcon 1854-1929 Paris Study of Waves Watercolour on buff paper. 202 x 352 mm. (8 x 13 7/8 in.)
ACQUIRED BY THE PRINCETON UNIVERSITY ART MUSEUM, PRINCETON, NJ.
CAMILLE PISSARRO Charlotte Amalie (St. Thomas) 1830-1903 Paris Study of a Kneeling Washerwoman, Seen From Behind Charcoal with white and blue chalk on blue-gray paper. Signed with initials C.P in charcoal at the lower left. 458 x 345 mm. (18 x 13 5/8 in.) [sheet]
RAFFAELLINO MOTTA, called RAFFAELLINO DA REGGIO
Codemondo 1550-1578 Rome
Design for Part of an Elaborate Grotesque Wall Decoration, with Figures of Charity and a Putto
Pen and brown ink and brown wash, laid down on a 19th century mount.
277 x 194 mm. (10 7/8 x 7 5/8 in.)
ODILON REDON Bordeaux 1840-1916 Paris La Barque Watercolour. Signed ODILON REDON in pencil at the lower right. 153 x 240 mm. (6 x 9 3/8 in.)
ODILON REDON Bordeaux 1840-1916 Paris Profile Head Watercolour. Signed ODILON REDON in blue ink at the lower right. 255 x 192 mm. (10 x 7 5/8 in.)
GUIDO RENI Calvenzano 1575-1642 Bologna The Head of a Young Woman Looking Upwards Black and red chalk, with touches of white chalk, on pale brown paper. 377 x 270 mm. (14 7/8 x 10 5/8 in.)
RECENTLY ACQUIRED BY THE MUSEUM OF FINE ARTS, HOUSTON, TX.
PIERRE AUGUSTE RENOIR Limoges 1841-1919 Cagnes-sur-Mer Study of a Bather Watercolour over an underdrawing in pencil. Signed Renoir in pencil at the lower left. 324 x 309 mm. (12 3/4 x 12 1/4 in.) [sheet]
JOHN RUSKIN London 1819-1900 Brantwood The Chateau des Rubins at Sallanches, with the Aiguille des Varens Beyond Watercolour and gouache, over an underdrawing in pencil, on faded blue paper. 215 x 193 mm. (8 1/2 x 7 5/8 in.) [sheet]
RADEN SARIEF BUSTAMAN SALEH Semarang 1811-1880 Bogor A Tiger Attacking a Sika Deer Pencil, heightened with white and gum arabic. Dated VI.I.78 at the lower left and signed(?) R. Saleh on the verso. 216 x 293 mm. (8 1/2 x 11 1/2 in.)
ANDREAS SCHELFHOUT The Hague 1787-1870 The Hague A Moonlit Port Scene Pen and brown ink and grey wash, over traces of an underdrawing in pencil. Signed A. Schelfhout. FC on the verso. 89 x 123 mm. (3 1/2 x 4 7/8 in.)
CLAUDE-EMILE SCHUFFENECKER Fresne-Saint-Mammès 1851-1934 Paris Coastal Cliffs, Brittany Pastel on light brown paper. 365 x 281 mm. (14 3/8 x 11 1/8 in.)
ACQUIRED BY THE NATIONAL GALLERY OF SCOTLAND, EDINBURGH.
SEAN SCULLY Born 1945 Untitled (11.17.90) Watercolour on paper (a page from a large sketchbook). Signed and dated Sean Scully 11.17.90 at the lower right. 306 x 403 mm. (12 x 15 7/8 in.) [sheet]
RUSKIN SPEAR, R.A. Hammersmith 1911-1990 London The Artist’s Father Seated in an Interior Pencil and black chalk, with stumping, with touches of orange and white chalk, on buff paper. 307 x 366 mm. (12 1/8 x 14 3/8 in.)
LÉON SPILLIAERT Ostend 1881-1946 Seascape With White Sails Gouache and pastel on paper. Signed and dated L. Spilliaert / 1922 in red chalk at the lower right. 510 x 740 mm. (20 1/8 x 29 1/8 in.)
HERMAN VAN SWANEVELT Woerden c.1600-1655 Paris Landscape with Balaam and the Ass Pen and brown ink and brown and grey wash, heightened with white, over an underdrawing in black and red chalk. 236 x 319 mm. (9 1/2 x 12 1/2 in.)
PAVEL TCHELITCHEV Kaluga 1898-1957 Rome Portrait of a Young Man Brush and black ink, gouache and watercolour on light brown paper. Stamped with the artist’s signature P. Tchelitchew on the verso. 353 x 250 mm. (13 7/8 x 9 7/8 in.)
GIOVANNI BATTISTA TIEPOLO
Venice 1696-1770 Madrid
A Reclining Satyr and Satyress
Pen and brown ink and brown wash.
182 x 266 mm. (7 1/8 x 10 1/2 in.)
GIOVANNI BATTISTA TIEPOLO Venice 1696-1770 Madrid The Head of a Youth, Looking Up to the Left Red chalk, heightened with touches of white chalk, on blue paper. 284 x 204 mm. (11 1/8 x 8 in.)
GIOVANNI DOMENICO TIEPOLO Venice 1727-1804 Venice God the Father in Glory Pen and brown ink and brown wash, backed. Signed Domo. Tiepolo in brown ink at the lower right. 287 x 200 mm. (11 3/8 x 7 7/8 in.)
GIOVANNI DOMENICO TIEPOLO Venice 1727-1804 Venice Hercules and Antaeus Pen and brown ink and brown and grey wash, over an underdrawing in black chalk. Signed Dom. Tiepolo f at the lower right and numbered 77 at the upper left. 203 x 162 mm. (8 x 6 3/8 in.)
CASIMIRO TOMBA Rome 1857-1929 Rome A Female Nude on a Leopard Skin Rug Watercolour and gum arabic, over an underdrawing in pencil. Signed and dedicated all’amico Stefanori / CTomba at the lower right. 226 x 364 mm. (8 7/8 x 14 3/8 in.)
FRANCESCO VANNI Siena 1563-1610 Siena The Ecstasy of Saint Catherine of Siena Red chalk. 153 x 119 mm. (6 x 4 5/8 in.)
ACQUIRED BY THE SMITH COLLEGE MUSEUM OF ART, NORTHAMPTON, MA.
DANIELE RICCIARELLI, called DANIELE DA VOLTERRA Volterra 1509-1566 Rome A Striding Figure, after Francesco Salviati Black chalk. Made up at the top edge with another strip of paper. 432 x 255 mm. (17 x 10 in.) [sheet]
EDOUARD VUILLARD Cuiseaux 1868-1940 La Baule The Sewing Box Oil on paper, laid down onto canvas. 371 x 260 mm. (14 5/8 x 10 1/4 in.)
Text and images copyright © 2007-2010 by Stephen Ongpin Fine Art. No portion of this website may be transferred, copied, or reproduced in whole or in part in any manner or in any media without the prior written consent of Stephen Ongpin Fine Art.
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